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10-Oct-2015 13:28

Female robots as sexual devices have also appeared, with early constructions being crude.

The first was produced by Sex Objects Ltd, a British company, for use as a "sex aid".

The 1964 TV series My Living Doll features a robot, portrayed by Julie Newmar, who is similarly described.

More recently, the 2015 science-fiction film Ex Machina featured a genius inventor experimenting with gynoids in an effort to create the perfect companion.

In science fiction, female-appearing robots are often produced for use as domestic servants and sexual slaves, as seen in the film Westworld, Paul J.

Mc Auley's novel Fairyland (1995), and Lester del Rey's short story "Helen O'Loy" (1938), Examples include Hephaestus in the Iliad who created female servants of metal and Ilmarinen in the Kalevala who created an artificial wife.

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The film's sequels had cameo appearances of characters revealed as fembots.The robot's creator, Clayton Bailey, a professor of art at California State University, Hayward called this "censorship" and "next to book burning." Artificial women have been a common trope in fiction and mythology since the writings of the ancient Greeks.This has continued with modern fiction, particularly in the genre of science fiction.Probably most famous, however, is Pygmalion, one of the earliest conceptualizations of constructions similar to gynoids in literary history, from Ovid's account of Pygmalion.

In this myth a female statue is sculpted that is so beautiful that the creator falls in love with it, and after praying to Venus, the goddess takes pity on him and converts the statue into a real woman, Galatea, with whom Pygmalion has children.The first gynoid in film, the maschinenmensch ("machine-human"), also called "Parody", "Futura", "Robotrix", or the "Maria impersonator", in Fritz Lang's Metropolis is also an example: a femininely shaped robot is given skin so that she is not known to be a robot and successfully impersonates the imprisoned Maria and works convincingly as an exotic dancer.



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